Search: Starring Keith David

On and on it goes, none of it actually bad, none of it actually adding anything.

The boy has style.

As an ensemble movie with a social agenda, it speaks the gospel of community over commercialism.

This is a film that will be enjoyed most by people who haven't seen many other films.

Perfectly captures the eerie atmosphere of Neil Gaiman's much loved story.

Haggis weaves his tapestry with infinite skill, aided by exquisite performances.

Yune’s not just wooden, he’s a charisma vacuum.

The script is dangerously low on laughs and appears charmless

Because of a multitude of sub-plots, the main one gets overlooked, until suddenly there's a car chase, or guns go off.

Fails to do anything that hasn’t been done before or better.

The concept is halfway interesting, the production so overburdened with explosive devices it might have been made in Iraq and the screenplay is as appetising as damp toast.

The script is tight, the gags nurtured, the performances disciplined.

A gloriously enjoyable light comedy.

David Twohy [uses] imagination as an alternative energy source.

In this way, Miyazaki avoids any simplistic 'message', preferring to present a more complicated dialectic on the environmental difficulties that continue to 'curse' us to this day.

The revolution in MouseLand, though tantalisingly glimpsed, proves to be short-lived.

Spork may pluck the heartstrings but its does so with an askew sense of humour free of Hollywood schmaltz.

Stuckmann and co-writer Sam Liz keep it all under tight control, even when the imagery suggests chaos or excess.

Superhero Movie follows almost exactly in the footsteps of its forebears, the Scary Movie films; this time the parody is aimed at the bloated belly of comic book hero movies.

The Transporter franchise suffers from some serious engine failure in this too-slickly produced sequel and only just makes it over the finishing line.

The film has a great beginning, an okay middle and a stupid ending.

With gusto and humour John Carpenter delivers a steady stream of explosive gun fights and brutal action.

A classic white-knuckle ride.

Successful films like this are few and far between, whilst the genre is littered with the bones of those that didn’t make it.

Caution - and science - are thrown to the wind, and it's all action.

The oozy sentiment pollutes the integrity of Natalie Portman's performance.